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Sebastein Miller’s Civil Disobedience variously references photojournalism, album art, protest imagery, comic books, films, and video games. The use of digital montage foregrounds his works’ constructed nature, highlighting the gaps between posited futures and depictable reality. Through animated counter-narratives, the Toronto-based artist uses satire to comment on science, race, and the nature of resistance, and to analyze how Black North American icons circulate in popular culture.